The Latin American rhythms and melodic inflections of the 1949 Violin Sonata – an influence absolutely distilled this is a more consistent piece than the Concerto – bathe Darvarova’s infinitesimally detailed playing in sunshine. The slow movement is a sleek and shapely waltz, a perfectly formed character piece, just like Duke’s deftly charming Hommage to Offenbach and his galumphing Etude for violin and bassoon. Then Elmira Darvarova broadens the terrain, her strolling melodic excursions ricocheting against extended cadenzas that smash forceful holes through the texture, everything captured with hairpin clarity. The ORF Radio SO of Vienna under Scott Dunn probes Duke’s scenic, reedy-woodwind and brass-rich prologue. Pair Rhyme Genie® with TuneSmith® and get the most comprehensive set of tools available to focus on the craft of songwriting and administer growing song catalogs. TuneSmith has the same features on both platforms and is able to run Rhyme Genie as a plug-in. With its wayward chromaticism and rhythmic pounce, the gnarly opening movement sets a tone of explorative gravitas. As a free companion product for licensed users of the desktop version of Rhyme Genie, TuneSmith can be registered on as many computers as desired with the same serial number that was issued for Rhyme Genie. He wouldn’t be the first composer to do so.Īs a Tin Pan Alley tunesmith (born Vladimir Dukelsky in Minsk in 1903), Duke penned ‘April in Paris’ and ‘I can’t get started’, but his Prokofiev-meets-Hindemith Concerto barely shows any of his Broadway pizzazz. Please login or register to leave a response. But the first two movements have proved so harmonically and melodically robust that flunking his finale is excusable. Tunesmith: Inside the art of songwriting (Jimmy Webb) Song building: Mastering lyric writing (Bill O’Hanlon and Marty Dodson) The Emotion Thesaurus: A Writers Guide to Character Expression (Becca Puglisi and Angela Ackerman). ![]() Musicians: Elmira Darvarova (violin) Kim Laskowski (bassoon) ORF Radio Symphony Orchestra, Vienna/Scott Dunn (conductor/piano)Īll goes well until the final movement of Vernon Duke’s 1941 Violin Concerto, where he defaults to polystylistic ‘tema con variazioni’ autopilot. REGISTER NOW Our camp director, and her husband, camp co-director. Wallowa Fiddle Tunes Camp Cancellation policy: Cancellations received on or before Jwill receive a 50 refund. Description: Broadway tunesmith turns to ‘serious’ music – with mixed results Registration fee for this year’s camp is 220, (110 for half-day classes) and lunches cost 70 for the week.
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